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117 Prefontaine Place South  Seattle, WA  98104    (206) 291-4608     gallery@lafamiliallc.com   


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Visual Artists:

 

  Juli Adams

  Michelle Anderst

  Carole Barrer

  James Caudle

  Daniel Cautrell

  Sara Everett

  Cristin Ford

  Mattie Iverson

  Lisa Jacoby

  Weston Jandacka

  Kathy Liao

  Doug Mandt

  Liz Maxfield

  Janet Nechama Miller

  Teresa Morani

  Aimee Mori

  Erik Owen

  Jim Pirie

  Kate Protage

  Grego Rachko

  Stan Raucher

  Lee Richmond

  Lanae Rivers-Woods

  Angela Scott

  Chris Sheridan

  Rick Simpson

  Jason Stauffer

  Leslie Stoner

  Brad Strain

  Ken Van der Does

  Misha Van de Veire

  Chris White

  Harry Woods

 

Performing Artists:

 

  Rebeqa Rivers

  James "Shoes"

  Walker

Lisa Jacoby:

Medium:   Photography
Member since:   2008
Artist Statement

Images:

 

Title:  Reflection 505
Dimensions: 24 x 34 inches
Medium: Chromogenic Print

   Edition of 5, 2009

Price: $ 800

 

Title:  Reflection 515
Dimensions: 42 x 26 inches
Medium: Chromogenic Print

   Edition of 5, 2009

Price: $ 1,100

 

Title:  Reflection 525
Dimensions: 32 x 28 inches
Medium: Chromogenic Print

   Edition of 5, 2009

Price: $ 900

 

Title:  Reflection 585
Dimensions: 24 x 34 inches
Medium: Chromogenic Print

   Edition of 5, 2009

 

Title:  Reflection 313
Dimensions: 24 x 36 inches
Medium: Chromogenic Print

   Edition of 5,  1/5 sold, 20008

 

Title:  Reflection 323
Dimensions: 24 x 36 inches
Medium: Chromogenic Print

   Edition of 5,  1/5 sold, 2008

 

 

Title:  Reflection 464
Dimensions: 40 x 20 inches
Medium: Chromogenic Print

   Edition of 5, 2008

Title:  Reflection 414
Dimensions: 30 x 36 inches
Medium: Chromogenic Print

   Edition of 5, 2008

 

 

** Additional Works Available, please contact the gallery

 

 

Artist Statement:

 

My photographic work seeks to investigate the idea that the appearance of what we see as “reality” is malleable and constantly shifting.  Reflections allow the camera, a single point perspective tool, to see from multiple viewpoints at once, thus potentially destabilizing the viewer’s personal sense of visual authority or any fixed sense of “point of view”.  The presence of multiple visual channels can challenge assumptions about perspective, both journalistic and personal; it can even argue that the camera’s truest marker is not image but time. By marking a specific moment, the camera allows the opportunity to take “point of view” itself as a vehicle for content and contemplation.

 

 

About the process:

The images in the series Through the Looking Glass were captured with the use of reflections in mirrors with holes.  No digital arrangement is involved.

All photographs are mounted on panel with archival adhesive and laminated with 80% UV filtering waterproof vinyl. This process acts as a replacement for framing, but makes the entire front surface waterproof, so the photographs will be well preserved and the piece easily maintained.

 

 

Biography:

 

Education


2006-2003     BFA in Art Summa Cum Laude, Cornish College of the Arts, Seattle, WA
2001-1999     University of Nebraska at Lincoln

Selected Exhibitions
 

2009     Through the Looking Glass, Solo Exhibition, La Familia Gallery; Seattle, WA - April

2008     New Members Group Show, La Familia Gallery; Seattle, WA - October

Reflections, Solo Exhibition, Gallery 070; Vashon, WA - March

PONCHO 7th Annual Invitational Fine Art Auction; Seattle, WA - February

2007     Group Photography Exhibit, D'adamo/Woltz Gallery; Seattle, WA - December

Strange Figurations, Limner Gallery; Hudson, NY - November

Introductions 2007, Seattle Art Museum Gallery; Seattle, WA - March

PONCHO 6th Annual Invitational Fine Art Auction; Seattle, WA - March

2006     Cornish BFA Art on Loan Exhibition at Fred Hutchinson; Seattle, WA - May

BFA Exhibition, Cornish College of the Arts, Seattle; WA - April

 

   Download PDF of full Resume

 

 

 

 


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